Standing in front of me on a giant white wall, with ugly teeth, and a gray body that reminded me of emptiness, I immediately felt a jolt, and I knew what was missing in my life: NOTHING.
The lack of human form in de Koonig's painting reminds me of the androgynous sculptures my grandfather is known for. In my advanced nonfiction writing workshop, I essayed about the relationship I long to have with my grandfather, as we both appreciate the arts, but my sudden epiphany at MOMA explained everything. Grandfather's sexless sculptures have no faces, because they are indeed just sculptures. They don't mimic people, because people are complex and flawed. My grandfather strives for perfection, and seeing de Koonig's painting, "Flesh," I suddenly realized, that I should embrace my flaws. "Flesh" to me became about accepting the human form and loving it for what it is.
Perfection is exhausting. We shouldn't strive for perfection in our lives, we should strive for the best that we can give, and know that the best is good enough. As a cellist for 9 years, I gave up playing, frustrated that I would always be second chair (even in a group of 15 cellists). I now realize that second is good enough for me; second made me happy, and the euphoric feeling I have when I play Tchaikovsky is like no other feeling in the world.
I'm going to embrace the "good enough" attitude. At 24, I'm financially independent, I have a stable full-time job, live in a wonderful city with so much to offer, and amazing friends. All of this leads to happiness, and happiness is good enough. I can make hundreds of lists of ways that I can make my life more perfect, but if I'm happy now, than what's the point of perfection?


